Accra Trane Station +2: Topographies of the Dark

Accra Trane Station +2: Topographies of the Dark

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VoxLox CD, 2008  Release date: January 15, 2008
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Recorded in Santa Fe, New Mexico on the occasion of Accra Trane Station’s first visit from Ghana to the U.S., Topographies of the Dark is a musical exploration in dialogue with sculptural paintings made in Accra by visual artist Virginia Ryan. Her textured assemblages in overlaying densities of black are featured in the accompanying booklet.

Ryan’s Topographies of the Dark paintings are created from recycled flip-flops that washed up on Accra’s beaches. Like the water rolling in and out along the Black Atlantic coast, these once-worn shoes embody histories of movement and passage, crossings close and far. The Topographies of the Dark CD similarly tells tales of musical crossings that connect Africa, Europe, and America in the diasporic grooves of jazz improvisation.

Accra Trane Station is Nii Noi Nortey and Nii Otoo Annan. Nortey is inventor of the afrifones, African winds with saxophone mouthpieces, and Annan plays the APK, or African percussion kit, a battery of African bells and drums together with jazz cymbals. Since 2005 Nortey and Annan have been working with musician and anthropologist Steven Feld. As a trio they have recorded three previous Voxlox Cds, the 2005 Tribute to A Love Supreme, the 2006 Meditations for John Coltrane, a tribute to the 40th anniversary of Coltrane’s Meditations, and 2007 Another Blue Train, marking the 50th anniversary of Ghana’s independence and Coltrane’s Blue Train.

When Accra Trane Station came to his home in New Mexico in August 2007, Feld proposed a recording collaboration with two of his oldest musical associates, Alex Coke and Jefferson Voorhees. Topographies of the Dark is the quintet record of this conversation.

Sax and flute improviser Alex Coke, based in Austin and Amsterdam, has performed and recorded with the Willem Breuker Kollektief, Worthy Constituents, and Creative Opportunity Orchestra. He and Feld previously played together in Leadbelly Legacy Band and Live Action Brass Band. In 2005 VoxLox released his CD Iraqnophobia/Wake Up Dead Man, and in 2008 It's Possible.

Drummer Jefferson Voorhees studied West African percussion with C.K. Ladzekpo and became a mainstay in the bay area World Beat movement, playing with numerous African and Afro-Caribbean bands. He and Feld previously worked together in the Tom Guralnick Trio, also on VoxLox.

TOPOGRAPHIES OF THE DARK
 
BEST RECORDS OF 2008 -- SO FAR
"Haunting, ruminative, graceful even when bombastic or timbrally unusual."
-Howard Mandel
(critic and author, Jazz Beyond Jazz: Miles Ornette Cecil)

"Hypnotic and gorgeous - really, really something. I'm knocked out!"
-Steve Rowland
(radio producer, Tell Me How Long Trane's Been Gone; The Miles Davis Radio Project)

"Outstanding"
-Norman Weinstein
(critic and author, A Night in Tunisia: Imaginings of Africa in Jazz

Recorded live in single takes with no overdubs, Topographies of the Dark is comprised of 7 tracks, each featuring unique combinations of Nortey and Coke’s winds punctuated by Annan’s APK, Voorhees’ drums, and Feld’s rhythm box bass, and additionally by Nortey and Annan’s string and xylophone work.

The Luminous Dark and Suspended Gaze are deeply textural pieces, meditative and out of fixed meter. On Mood Duke, the haunting mix of Nortey’s afrifone and Coke’s bass flute in Ghanaian kpele rhythm evokes the West African spiritual and the "Mood Indigo" of Duke Ellington. Strings to the Sahel is a desert rock groove combining bowed and plucked Ghanaian strings with the swirling wind of Coke’s flute. The tone turns hot and fast on Black Heat, where Nortey’s afrifone and Coke’s soprano work move across the terrain of avant-garde saxophone styles from Albert Ayler to Ornette Coleman. On Bridges and Planks, Nortey and Annan both show off their extraordinary multiple in-and-out-of-meter xylophone and marimba skills. The set concludes with Ruffles, a spirited romp in an Afro-beat percussion groove.

Recorded and mixed by Bill Boaz at 4th World Recording Studios, Santa Fe, New Mexico, August and October, 2007 
Art © 2007 Virginia Ryan; music composed in improvisation © 2007 Nii Noi Nortey, Nii Otoo Annan, Steven Feld, Alex Coke, Jefferson Voorhees; VoxLox Publishing, BMI 

Nii Noi Nortey plays his inventions, the afrifones, African winds with saxophone mouthpieces, plus gyili wood and metal xylophones; molo two-string lute, gonje one-string fiddle.

Nii Otoo Annan plays APK, the African Percussion Kit of African drums and bells and xylophone with jazz cymbals, plus marimba, and molo two-string lute.

Steven Feld plays ashiwa rhythm box bass.

Alex Coke plays flute, bass flute, and soprano saxophone.

Jefferson Voorhees plays trap percussion set.

1. The Luminous Dark   NNN; afrifone; AC: soprano sax; NOA: APK; JV: traps; SF: box   5:12

2. Mood Duke (Kpele lala)
NNN: afrifone; AC: bass flute; NOA: APK; JV: traps; SF: box   7:06

3. Strings to the Sahel
NNN: gonje; NOA: molo; AC: flute; JV: traps; SF: box   6:09

4. Black Heat
NNN: afrifone, gonje; AC: soprano sax; NOA: APK; JV: traps; SF: box   8:57

5. Bridges and Planks
NNN: gyili; NOA: marimba; AC: piccolo; JV: traps; SF: box   4:44

6. Suspended Gaze
NNN: gyili, molo; AC: bass flute; NOA: APK, gyili; JV: traps; SF: box   5:42

7. Ruffles
NNN: gyili; AC: flute; NOA: APK; JV: traps; SF: box   7:11

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